"Josh Otterstetter, 27, of Colorado Springs performs a trick at Aztec Family Raceway in Colorado Springs, Colo. on June 19, 2008."
I couldn't have had a better experience this past week at Mr. Clarkson's Sports Photography Workshop in the Springs. The wealth of knowledge and contacts that I made far surpassed that of any one week in my lifetime. This may just have been the big break that I have been looking for and I couldn't be more grateful for that.
My goal for the week was to limit my time out shooting at the Olympic Training Center and other venues and maximize my time in the classroom with the outstanding instructors. There couldn't have been a better and more qualified staff. I don't know about you but I rarely get to sit down with editors from Sports Illustrated, The New York Times and the Colorado Springs Gazette. In addition I also had the opportunity to meet with several top, TOP, photographers from the AP and some fantastic freelancers.
Wednesday afternoon I began to schedule portfolio reviews with some of the faculty. I first met with Mark J. Terrill who is one of, if not, the top sports photographers for the Associated Press. We spent a few minutes talking about my ethical dilemma from back in January. He then took a look at some of my work and made some very valuable comments. Mark offered some advice as to how I should begin to get some more work. Needless to say I'll be contacting the AP this week to set up a meeting with the head of the Denver bureau.
My next meeting was with the Brad Smith, sports picture editor from the NY Times. He sat down with me for over an hour and we didn't even get to my portraits or picture story. I couldn't have asked for better feedback. If he didn't think that one of my images was as strong as the rest of my stuff he told me why. However he really seemed to like my book and made sure that Porter Binks from Sports Illustrated stayed around to see my work.
Porter Binks has to be my favorite editor that I've ever met with by far. Sure it's great that he is from Sports Illustrated but that just doesn't have anything to do with it. He tells you like it is and provides some perspective about how your work measures up to the stuff that he sees everyday. Despite his stature in the industry he was a real person, as were the rest of the staff, and for a nervous recent college graduate I couldn't have felt more at ease to show him my work. With that being said he was impressed with what he saw. For sports photographers Sports Illustrated is the pinnacle of outlets for our work and you know that you've made it when you see your work in the magazine. I talked with Porter for nearly an hour, much longer than the typical 20 minute session, about everything from images and editors thoughts to assisting and getting your foot in the door. I left with his card and an open invitation to keep in contact with him.
That evening I made a few adjustments to my portfolio and tightened it up just a little bit. I also added a few images to round out my picture story a little bit. I would soon find out that just a little change would have a drastic effect.
My first portfolio review Thursday afternoon was with Mark Reis, the Deputy Photography Director from the Colorado Springs Gazette. After looking through approximately five images he asked "who helped you edit this?" His face looked a little surprised and continued to flip through image after image with a pleasant look on his face. I tried to remain calm as he asked me a few more questions about my work, my experience and my gear. He is currently going through applications for The Gazette's fall internship program and was a little surprised that I didn't apply for their program. Although their deadline had passed he asked me to put together my packet and get it to him the next day. ARE YOU KIDDING ME? I was on cloud nine!!!! That evening I drove home and stayed up nearly all night to make sure that my portfolio, resume and a cover letter were on point. I didn't get more than an hour and a half of sleep but it was worth it.
(Jumping back a little bit)
After my portfolio review with Mark Reis I went back into the classroom for another classroom session on technical lighting with Joey Terrill. Joey knows his stuff in and out and like me is a technical advocate photographer. I took classes with him all week and on the last day we were able to deconstruct any of the 150 or so images that she showed us earlier in the week. I really learned a lot and will be applying some of his techniques on my next shoot. After we were done I asked if he had some time to look at some of my work. He seemed hesitant but agreed to do so. After a few images he said "I like the way you see. The technical side can be taught but if you can't see I just can't help you." I really appreciated hearing that. We discussed a few more things and then I headed out to the Motocross track for the rest of the evening.
There were probably 25-30 photographers at the track so I really had to work to find something different. Noticing two girls sitting on top of a winnebago I tried to use some long glass to line them up with the riders jumping and compress the image so that it appeared as if the riders were right next to the spectators. Although the image didn't get stellar reviews in the critique the next morning Mark Terrill applauded me for "seeing" at the track and even let me borrow a tele-converter to further compress the image.
However during the critique on Friday the above image got an "oooooo and ahhhhh" from the crowd. I tried to use a tungsten white balance and under exposed sky to give the feeling that the rider was competing under moonlight. During the critique Charlie Arbogast, a SP photographer from the Chicago bureau snook over and asked me to join him for lunch and to bring my work. It was obvious that my work was being discussed among the faculty outside of the workshop and they all wanted to get a chance to see it for themselves. I really didn't know how to react. These people are my idols and they wanted to see my work. Was this a dream? Nope, trust me I pinched myself a few times. Over lunch Charlie took a few looks through my stuff and asked "why didn't you apply for the Associated Press's internship/" After explaining that I didn't think I had a shot he countered with "no, you should have applied, we could definitely put you to work." Again I really didn't know what to do. I didn't get any offers for the summer but everyone at the workshop seemed to think that I had some potential. After lunch I once again left with a card and an open invitation to keep in touch.
I couldn't have had a better week and to think that it wasn't even on my schedule until last week. The weeks events cemented the fact that as my dad always likes to point out "everything will run it's course." Thank you to all the instructors and students who only further fueled my inspiration and drive photography. This has been a tremendously long post so thanks for bearing with me. I'll be sure to keep you updated should anything "job related" changes in the near future.
-JCE